What’s in the Box?

• Stage 3 IEMs
• Next Gen 2 Pin Noble Cable with Interchangeable Termination (2.5mm, 3.5mm, 4.4mm)
• Hard Case
• Velvet Pouch
• Clip
• Silicone and Foam Ear Tips (various sizes & double flanged)
• Warrany Card
• Noble Audio Wizard Sticker
• Cleaning Tool
• Rubber Bands

Look and Feel

These are cute little earbuds, significantly smaller in size than the average IEMs in this echelon. Noble Audio has kept things classy, yet low profile with its black shiny resin shells and simple silver logos on the faceplates. (The stainless steel nozzles are also a nice touch.) 

I had no problems with fit. The seal was perfectly snug, but I never felt any uncomfortable pressure, even throughout long listening sessions. The natural isolation was also sufficiently effective. 

Design

The Stage 3 features a 3-driver arrangement, comprising a 10mm dynamic driver and two balanced armature drivers. The Stage 3’s design incorporates the Next Gen 2 Pin Noble Cable, allowing for easy interchangeability of terminations (2.5mm, 3.5mm, 4.4mm).

The Stage 3 is also reasonably easy to drive, and your iPhone or Android should even give you plenty of headroom. But for the purpose of this review, I paired the Stage 3 with my Astell & Kern SR35.

Sound Impressions

Soundstage

One of the first qualities that smacks you in the face is the entertainingly expansive soundstage. Spacious and multidimensional, this stage sounds more expensive than 600 bucks. There’s great movement up and down the vertical axis, with highly nuanced differentiation in placement. You’ll also get some good depth here, with instruments reaching far behind and in front the ear. The fantastic resolution also brings extra substance to the tonality of instruments, and this makes for a vibrantly colorful and playful interaction between sound elements across all dimensions.

Low-End

The bass is fast, punchy and unsaturated. You can expect a relatively moderate low-end presence, though I felt like there was enough bass oomph to do justice to pop and other modern genres. But certainly, this isn’t a super dark and meaty sound. Instead, the bass is lean, clean and incredibly well controlled. And for drummers especially, this delivery is often ideal. That said, I did mostly get the low-end warmth I was looking for. So, this is by no means a cold or sterile bass. And the transient response alone is enough to inject ample energy and momentum into mix. Overall, this bass feels very loyal to the brand’s signature low-frequency presentation.

Mids

While the mids super clean, shiny and detailed, it’s not always the easiest balance. There’s a boost in the upper-mid to lower treble range that brings instruments like vocals and snares forward. And though, I can’t call the delivery harsh, I did find myself having to turn the volume down on certain tracks. That said, for stage use, vocalists would definitely appreciate the extra presence in these frequencies. And certainly, if you like an intimate performance, the Stage 3 will give you that up-close feel. At the same time, there is so much energy here. Percussion hits hard and fast, and vocals and instruments have a radiant and fresh quality that lends extra vitality to the mix.

Highs

Unlike the midrange, vocals in the highs are smooth, airy and easy. And while I didn’t feel like I was missing out on any extension, the treble peaks were pretty forgiving. Instruments in this range maintain a rather natural color, with a touch of leanness and buoyancy. There’s even a shimmer here and there. But for sure, this tuning here is designed for detailed, yet extended listening, and the somewhat neutral tonal delivery maintains the integrity of the source.

Summary

The Stage 3 sounds undeniably Noble audio. Maintaining the brand’s famously fast transient response, while offering crystal-like mids and incredibly clean layering throughout, the Stage 3’s talent warrants the price tag and maybe then some. Still, the mids and lower treble may be a bit too bold those with particularly sensitive ears. But if you’re a vocalist or stage musician, you can rest assured that you’ll get clear and honest feedback from these skilled and entertaining IEMs.

You can buy the Noble Audio Stage 3 at Audio 46.

The post Noble Audio Stage 3 Review appeared first on Major HiFi.

Under $100

iFi GO link

$59

The iFi Go Link is quite an impressive gadget for its category, especially given the low price point. There are only a handful of dongles that audibly elevate the sound signature to hi-fidelity standards, and this is one of them. Typically, achieving such clean resolution would require investing in a bulkier and pricier DAC/Amp combo. But the Go Link excels in providing great imaging and delivering clean and transparent sound despite its size. The inclusion of a Lightning adapter for iPhones is also a thoughtful touch. A great deal all around.

MoonDrop DAWN

$69

Despite its unassuming appearance, the Moondrop Dawn 4.4mm (balanced output) contributes significantly to an IEM’s sound signature, infusing energy into the delivery and expanding the overall soundscape. While it might be ambitious to pair this compact DAC with higher impedance headphones, it’s an ideal companion for super-sensitive IEMs as well as those that are slightly more power hungry. The absence of MQA support may disappoint Tidal enthusiasts, but for those unbothered by this, the Dawn Pro stands out. Whether you’re in the market for an entry-level DAC that genuinely impacts sound or simply seeking a straightforward upgrade from a subpar dongle, the Dawn Pro offers an excellent choice at its price point.

Under $200

iBasso DC06PRO

$119

In the realm of DAC dongles, the iBasso DC06Pro stands out for its sheer power, capable of driving an array of IEMs and headphones. So, you can rest assured that you’ll have headroom to spare. The device’s dedicated volume control adds a layer of flexibility, while the neutral profile maintains the integrity of your headphones and the original music source. For audiophiles seeking a blend of power and precision, the DC06Pro is a solid choice in a market saturated with DAC dongle options.

MoonDrop MoonRiver 2 Ti

$189

Another surprisingly robust “dongle”, the Moonriver 2 TI left us quite impressed. Its power output is on par, if not exceeding many more expensive dongle models. And overall, it’s premium HiFi components, clean delivery, stylish design, and an attractive price point make Moonriver 2 TI a standout model under $200.

Under $300

Astell & Kern AK HB1

$259

Despite its relatively neutral presentation, the AK HB1 adds richness to instrument tonality and reveals tons of detail, providing cleaner instrument layering and immaculate separation. While not transforming the soundstage magically, there’s a subtle touch of added depth and spaciousness with enhanced imaging precision. Although awaiting an app update, the AK HB1 impresses with super-detailed and well-controlled sound, rivaling higher-priced players. If you can be patient for app improvements, rest assured the AK HB1 offers a fantastic out-of-the-box audio experience.

Astell & Kern AK HC4

$220

Yes, Astell & Kern again. We were pretty blown away by this little DAC. The HC4 offers a striking improvement to any sound signature you throw at it, delivering a grander, cleaner, richer, and more powerful audio experience. The upgrade in your IEMs or headphones’ performance is immediately noticeable, representing a leap worth several hundred bucks. Coupled with its sleek, edgy design, sturdy build, and the DAR feature, the HC4 proves to be fantastic value for money. And overall, there’s no denying that the HC4 delivers sound quality that closely approaches A&K’s best Digital Audio Players (DAPs).

Under $500

iFi GO bar

$329

For those in search of robust performance without the heft of larger DAC/Amp units, the G0 Bar from iFi proves to be a noteworthy contender. Positioned as the most potent portable headphone amp in its size category, it lives up to its claim, offering tons of headroom, pristine separation, anal transparency, and wide stereo imaging. Maintaining a well-balanced and controlled delivery, the G0 Bar also delivers an easy listening profile without skimping on resolution. The midrange, especially, stands out with clean tonality and clarity, while the treble adds a touch of crispness and buoyancy to an otherwise neutral presentation. 

FiiO Q15

$399

Here’s where things start to get a little bigger. The FiiO Q15 is a beast. With great treble extension and spaciousness, intimate mids and incredibly deep low frequencies, the transformation to your IEM borders on mind-blowing at times. Equally important, is the insane amount of power than the Q15 offers—four gain levels mean you’re covered, no matter what cans you’re driving. FiiO is known for making fantastic DACs at budget-friendly price points, and the Q15 is a prime example.

$500 and Up

Chord Electronics MOJO 2

$650

It needs little introduction, but I’ll still introduce it…The Mojo 2 is the second iteration of what is arguably the most popular portable DAC/amp on the market. The Mojo 2 brings some exciting improvements, including a more accurate sound signature, improved depth, powerful output, and top-notch build quality. If you’ve been a Mojo fan, these enhancements promise an even better audio experience. The sound profile may not be as warm and gooey as the first version, but it certainly outperforms the original Mojo in terms of skill.

You can find all of these products at Audio 46.

The post Best Portable DAC/Amps of 2023 appeared first on Major HiFi.

Under $100

Sony WF-C700N

$89

The Sony WF-C700N offers a fun and well-balanced sound profile. The low-end is punchy and clean, the mids are even-keeled, and the highs are smooth and non-fatiguing. While it might not match the resolution and ANC effectiveness of Sony’s flagship, the WF-1000XM4, it does come close to replicating its robust sound signature and easy-listening tuning.

Sennheiser SPORT

$99

If you’re seeking a straightforward, durable workout earbud with strong low-end performance, ergonomic customization options, and dependable construction, the Sennheiser SPORT TW is worth considering. These earbuds deliver an impressively tidy sound profile, and the design allows you to feel immersed in the music while also maintaining awareness of your surroundings. Great for runs in the city.

Under $200

Final Audio ZE3000

$149

The Final Audio ZE3000 bring a level of audio fidelity not commonly found in Bluetooth earbuds at this price point. In fact, these buds deliver detailed and transparent sound akin to this famous audiophile brand’s top-tier IEMs. Featuring a wide soundstage, punchy bass, full mids, balanced treble, user-friendly controls, and a snug fit, the ZE3000 carves its own audiophile niche in the wireless earbud world.

Beyerdynamic Free BYRD

$169

Beyerdynamic is one of the oldest and most established headphone brands on the market. So, you can be pretty sure that they never make a bad sounding product. And such is the case with their true wireless models. The Beyerdynamic Free BYRD offers a dynamic sound sound signature with excellent layering, impactful bass, and a lively blend of clear midrange and colorful highs. Sporting an impressively long battery life, these earbuds have gained recognition for being some of the most talented on the market.

Sennheiser MOMENTUM True Wireless 3

$199

Sennheiser never fails to deliver a top-notch soundstage, and the Momentum True Wireless 3 is no exception. With tons of width and depth, you can expect a soundscape that’s more holographic than any other earbuds we’ve heard at this price point. With plenty of bass / sub-bass oomph, and a natural timbre throughout, the Momentum True Wireless 3 provides a meaty, yet tender sound signature that’s emotive, impactful and super entertaining.

Under $300

Sony WF-1000XM5

$249

The WF-1000XM5 is a huge step up from the previous Sony flagship model. From the more compact design and enhanced ANC to the overall improvement in sound resolution, the XM5 stands out as being one of the best models at this price point. The XM5 offers an impressively expansive soundstage with spatial audio features, a warm and punchy bass, sound personalization options and arguably the best ANC on the market. We have no hesitation in recommending this one.

Astell & Kern AK UW100 MKII

$299

In this price range, you can get wireless earbuds that start to sound like wired high-end IEMs. Though Astell & Kern is better known for its DAPs, their second true wireless iteration is worth some attention. The UW100 MK II brings an satiating audio experience with its huge soundstage, tight bass, and full mids. Features include responsive touch sensors and an in-app EQ with forgiving treble, allowing for a customized listening experience. Priced competitively, the UW100 holds its ground among true wireless heavy hitters, making it a noteworthy option for those seeking a balance of performance and value.

$500 and Up

Noble Audio FoKus Prestige

$599

Out of all the earbuds on this list, the Noble Audio FoKus Prestige most closely approximates the performance and design of a high-end IEM.  It delivers a quick, transparent, and impeccably clean sound, featuring a robust bass, energetic mids, and smooth highs. In fact, we have yet to encounter another true wireless model that produces such impressive sound quality. While the price is admittedly steep, even a brief listening experience is likely to get you hooked.

You can find all these earbuds at Audio 46.

The post Best Wireless Earbuds of 2023 appeared first on Major HiFi.

Under $100

Sennheiser HD 350BT 

$79

The HD 350BT is nothing fancy, but it comes from the world’s leading headphone brand, and in our experience, everything they make is reliable and sounds decent. Featuring Bluetooth® 5.0, support for high-quality codecs (AAC, aptX Low Latency), and a reasonable 30-hour battery life, these headphones provide a solid option for those looking for improved audio experiences on-the-go. Overall, the HD 350BT is a great cost-effective choice, providing quality audio without straining your budget.

Strauss & Wagner ANCBT501

$99

This little company makes great headphones that cost half the price of its competitors simply because they spend so little on marketing. With 40 hours of play time and three noise cancellation settings, the ANCBT501 delivers smooth and balanced tuning, making it one of the most pleasing sounding wireless cans you can at this price point. The ANC is not the best we’ve ever heard, but to be honest, this is about as good as it gets for this price point.

Under $200

Sennheiser ACCENTUM

$149

The Accentum follows the design of Sennheiser’s flagship, the Momentum 4, with its rich low-end and natural, warm sound profile. You might notice a tad less detail in the highs, but overall, it’s a pretty satiating sound signature. What seals the deal is the impressive 50-hour battery life and the option to tweak the equalizer, making the Accentum another solid choice for this price point.

Final Audio UX2000

$119

Given their budget-friendly price, the UX2000 exceeded our expectations. The soundstage offers an engagingly 3D experience, the bass provides substantial oomph and detail, and the high frequencies contribute a crisp and radiant topping to the weightier low frequencies. In summary, they deliver a fun, skillful, and forgiving sound without compromising on resolution, even at a price point of 120 bucks. Couple that with some decent ANC and sufficient battery life to last you through your weekly commutes, and you have a solid pair of cans that more than justify their price tag.

Under $300

Sennheiser Momentum 4

$248

This is one of the heavy hitters on the market. The Momentum 4 strikes a great balance between advanced features and user-friendly simplicity. It’s comfortable, aesthetically inoffensive, and delivers Sennheiser’s reliably good audio quality. With a powerful bass, energetic, yet natural delivery, and a massive soundstage, the Momentum 4 might have one of the most orgasmic sound signatures at this price point. The ANC is super effective as well, enhancing the immersive details of the audio experience and making your subway commute much quieter.

Audio-Technica ATH-M50xBT2 IB (Limited Edition Ice Blue)

$219

The M50xBT2 is the wireless iteration of arguably the most renowned headphone ever created. Staying true to the original M50x sound, the M50xBT2 faithfully reproduces it. With a broad yet authentic soundstage and precisely detailed imaging, it delivers an impactful low end capable of handling heavy bass kicks while maintaining accuracy. The midrange is occasionally subdued, creating dynamic contrast between the lows and highs, particularly suitable for modern pop. The somewhat bright high-end reveals ample detail and exudes a playful quality. In essence, the M50xBT2 stands as a dependable and musically versatile headphone. Since it lacks ANC or other extravagant features, all your investment goes directly into sound quality, making it a cost-effective choice compared to pricier flagships from other brands. The limited edition in teal is our favorite choice.

Under $500

Sony WH-1000XM5

$328

For a broad and immersive sound experience, consider the Sony XM5, especially if you’re upgrading from the XM4. With an impressive soundstage, thanks to Sony’s 360 Reality Audio and Atmos support, the XM5 provides a super engaging sound signature. The spatial audio features create a three-dimensional sensation, making sound elements feel suspended around you. Expect a robust and impactful bass (customizable with EQ settings), improved midrange clarity And shiny treble frequencies that never feel harsh. With its advanced features and durable build, the XM5 is a significant upgrade from the previous model.

Shure AONIC 50 Gen 2

$349

We were a little iffy about the first version of this Aonic 50, but the second iteration has definitely won us over. The substantially enhanced headroom, dynamic bass, and vibrant highs makes the Aonic 50 Gen 2 a refreshing sound signature when compared to it’s more bass-heavy competitors. Unless you’re expecting top-tier noise cancellation, there’s not much to fault with this model. For those desiring a departure from the conventional sound profiles of major brands like Sony and Sennheiser, the Aonic 50 Gen 2 brings a distinctive and highly satisfying listening experience.

Under $1000

Focal Bathys

$699

At this price point, we get into serious audiophile territory. The Focal Bathys is a top-tier player for those on the hunt for a premium wireless headphone. Boasting a buffet of connectivity options and fantastic ANC, this powerhouse of a headphone delivers a smooth hi-res sound that’s also super easy on the ears; Focal has injected some warmth and soothing vibes into this crowd-pleasing sound signature, without skimping on the precision and quality that the brand is famous for.

Bowers & Wilkins Px8

$799

Bowers & Wilkins is particularly famous for its fancy home audio gear. But they make top-class headphones too. The PX8 presents a sleek and refined design with premium resolution and impressively robust ANC. Unlike many in its price range, the PX8 creates an open soundscape akin to high-quality wired closed-back headphones. You can also expect a deep and powerful bass, clear midrange with impactful vocals and detailed highs. Although a reasonably significant step up from the PX7, it comes with a higher price tag, reflecting Bowers & Wilkins’ luxury status in the audio realm.

You can find all of these headphones at Audio 46.

The post Best Wireless Headphones of 2023 appeared first on Major HiFi.

Build and Design

It might be hard to pick which DAC aesthetic is most appealing. The M15 strikes a nice balance between elegance and fun, with a transparent glass panel that reveals intricate design details. Contrastingly, Astell & Kern’s HC4 sports a sleeker, more minimalist look, with its trademark bold and edgy vibe. The HC4 may be slightly more solid than the M15, which is fundamentally more fragile given its glass casing in the front. 

As for the more basic design attributes, both DAC dongles are about the same size, with Questyle being just slightly smaller. And both DACs weigh about the same.

Inputs and Outputs

Both DACs feature a USB Type-C input and 3.5mm/4.4mm headphone outputs. However, while the HC4 comes with both, a USB-C and a Lightning cable, the M15 doesn’t provide any options for iOS devices. (Of course, you can easily buy this cable online.)

Controls and Features

With respect to controls, the MC4 has a volume button but no gain switch, while the M15 has a gain switch but no volume dial. Personally, I value volume control over a gain switch, but if you’re using particularly sensitive IEMs, the gain feature may be useful. Finally, the AK HC4 also has the added feature of a DAR switch, which upsamples your sound files, aiming to achieve a similar quality to DSD.

Hi-Res Support

Both, the Questyle M15 and AK HC4 can play sample rates up to 32 bit / 384 kHz. But the M15 has the added advantage of MQA support, while the HC4 leaves Tidal users hanging. Finally, both, the M15 and AK HC4 have tiny LED lights that indicate the kind of file being played.

Power

Both DACs do a great job at powering both sensitive IEMs and over-ear cans that are harder to drive, like the Beyerdynamic DT 1770, which has an impedance at 250 Ohms. And when the M15 at high gain, both models provide an equal amount of headroom.

Sound Impressions

Let’s start with the fact that these dongles are virtually equal in skill. But perhaps the most apparent difference between these two dongles lies in the soundstage. The M15 fosters a cleaner mix, ensuring an accurate representation of the stereo field. But nothing seems exaggerated, even though the width is still impressive. On the other hand, the HC4 sometimes feels more holographic and less intimate. The space it delivers feels broader and deeper, exceeding modest imaging tweaks. It also seems to better enhance the resolution of sound elements that are placed at distance. And overall, the added color and robustness of the HC4 makes for a more dynamic soundstage. Still, which is the more natural presentation? Probably the M15. 

The same difference applies to the rest of the sound signature, with the M15 remaining pretty honest to the source, while the HC4 injects extra boldness into to the mix, especially in the mids and lower frequencies.

Overall, if you’re looking for the most neutral profile, the M15 will deliver your sound with minimal manipulation. However, if you’re thirsty for a more vibrant soundstage and a more colorful and muscular flavor to your current sound signature, the HC4 is probably the preferable DAC/amp.

Summary

I think the choice comes down to taste and intended application because both DACs sound fantastic. If you want your sound signature to be significantly bigger and more energetic, go for the HC4. But if you’re looking for the most accurate and neutral profile, the M15 is hard to beat. As for the design attributes, the HC4’s volume buttons give it the upper hand in my books. But if you can’t do without MQA files, the M15 will have to be your choice. Still, especially given their similar price points, you can rest assured that both models will be an equally worthy upgrade to your sound.

You can buy the Astell & Kern AK HC4 at Audio 46.

You can buy the Questyle M15 at Audio 46.

The post Astell & Kern AK HC4 vs Questyle M15 Comparison Review appeared first on Major HiFi.

What’s in the Package?

• Strauss & Wagner Vienna Cable for Sennheiser IE 900
• Interchangeable Terminations (3.5mm, Balanced 4.4mm and Balanced 2.5mm)

Look and Build

The aesthetics were a no brainier for me. Thick, shiny and well insulated braided silver strands make this $100 cable look far more premium in quality than the price tag suggests. The radiant silver also complements the design of the shells of the IE 900. In addition, you’ll have the choice of three solidly built terminations; 3.5mm, balanced 4.4mm and balanced 2.5mm.

The connectors snap firmly into place but are also pretty easy to disconnect with the help of some mild exertion. The over-ear wires sit snugly around the ear, though I never noticed myself wearing them, even throughout extended listening sessions. I also preferred this design to the malleable and sometimes awkward fit of the Sennheiser wire.

Design

I should first note that Sennheiser has made things tricky by implementing a different type of MMCX connection for its flagship IEM model. As a result, buyers are quite limited by the few off-brand cables available online that are compatible with the IE 900. So, Strauss & Wagner have catered to this niche by delivering a sturdy, pretty fancy looking and reasonably affordable braided silver MMCX cable upgrade, specifically designed for the IE 900.

For my sound impressions, I paired the Vienna (4.4mm) with the Astell & Kern HC4 DAC/amp dongle, which provides ample headroom when connected to the IE 900, and compliments the impressive soundstage that the IE 900 offers.

Sound Impressions

The most audible upgrades seem to be the soundstage and the enhanced detail, definition and attack, especially in the midrange. 

Listening with the Vienna, the soundstage felt wider and more nuanced in its placement, while separation also seemed slightly cleaner. The result is a more holographic and more colorfully layered space that adds to the immersion created by the IE 900’s full-bodied sound.

Also noticeable, is the more defined midrange, which injects crisp impact into snares and enhances the transparency of vocals, bringing out more crackle and fry in vocal qualities.

At the same time, the Vienna retains the integrity of the IE 900’s sound signature, keeping things warm and powerful in the lower frequencies and providing legs, along with energy in the midrange. Combining this profile with the cleaner, more energetic feel and bigger soundstage that the Vienna delivers, the IE 900 becomes an even more impressive powerhouse of sound.

Summary

The Strauss & Wagner Vienna preserves the essence of the IE 900’s identity, maintaining warmth in the lower frequencies, lending robustness, and infusing vitality into the midrange. Pairing this characteristic with the Vienna’s cleaner, livelier ambiance and expansive soundstage amplifies the IE 900’s prowess, transforming it into an even more formidable IEM. If you’re looking for an upgrade, or just need to replace the broken one that came with your IEM, the affordably priced, Vienna, is the probably the most sonically compatible and skilled cable option for your beloved IE 900.

You can buy the Strauss & Wagner Vienna Cable at Audio 46.

The post Strauss & Wagner Vienna: The Best Cable Upgrade for the Sennheiser IE 900 appeared first on Major HiFi.

What’s in the Box?

• Audeze MM-100 Headphones
• Cable with 1/4n inch termination
• Warranty Card
• User Guide Card
• Large Carrying Pouch

Look and Feel

The MM-100 sports a lightweight, yet very solid-looking chassis, featuring magnesium yokes and grilles, along with a spring-steel headband. It definitely looks like an Audeze headphone. But it’s Audeze lite.

The gel-filled (pleather) earpads gently cradled my ears with a snug, yet forgiving clamping force. And the adjustable suspension strap felt virtually weightless even during extended use. Certainly, when comparing the MM-100 to competing models (like a Beyerdynamic), the MM-100 stands out for its superior comfort. 

The single-sided cable allows you to connect it to either side of the headphone, which is convenient when putzing around a studio or desktop setting. Finally, these cans are perfect for on-the-go use, as they fold flat for easy travel or storage. No complaints here.

Design

The MM-100 comes equipped with Audeze’s freshly engineered planar magnetic drivers, intended to achieve more precise accuracy and minimal distortion. Crafted using the same approach as their flagship LCD-5, and incorporating patented waveguides, magnet arrays, and diaphragms, the MM-100 aims to set a new standard for sound quality within its category. We’ll see if it has succeeded.

These cans are pretty easy to drive, and your interface or portable player should give you plenty of juice with headroom to spare. For this review, I paired the MM-100 with the Astell & Kern SR35.

Sound Impressions

Soundstage

The MM-100 stands out for its meticulously holographic stage. In particular, the accuracy of the imaging makes for a colorful and deliciously nuanced play between elements across all dimensions, creating an almost tangible space. The stereo field, in particular, achieves an immersive scale, maintaining a realistic sense of space without sacrificing the overall sense of spaciousness. And in general, the sound sphere feels roomy, yet it retains a focused and centered quality that lends an authentic feel to the listening experience. Nothing is exaggerated or fanciful in its placements. Rather, the MM-100 relies on precision and an incredible level of separation to create its pristine, vibrant and capacious bubble of sound.

Low-End

The super clean low-end leans towards a neutral tuning. While there is solid extension here, the sub-bass frequencies aren’t too colored and fall short of feeling visceral. Still, there was plenty of bass punch when called upon, and the low-end provides adequate warmth and substance to give legs to fuller mixes. 

Transparency is top-notch in the low-end, delivering very natural and textured sounding acoustic instrument. Still, despite the incredibly life-like feel of string instruments, there is just a hint of color to the tone that adds a touch of majesty to the performance. So, despite MM-100 presenting an honest low-end, I never found it sterile or boring,

Mids

The mids are quite lively, delivering snares that smack and vocals that sit energetically and intimately forward. In some ways, I’m surprised by the tuning, which, at least to the ears, favors the upper-midrange; given the intended application of these cans, I was expecting a flatter profile in the mids. That said, there are uses to mixing with a forward upper-midrange, especially with respect to vocals. Still, this balance is not always the most forgiving, and if you’re particularly sensitive to lower-treble frequencies, you might be left wishing for a more relaxed midrange.

But in terms of skill, the MM-100 checks all the boxes; The MM-100 hits a nice balance between detail and smoothness, revealing ample timbral subtleties, while also allowing for fluid movement of notes. There’s not too much coloration or weight here, but just enough to remind you that this is an Audeze headphone. The speedy transient response also adds to the dynamic vibe of the MM-100, injecting tightness and energy to rhythm instruments, especially. Finally, the layering is pristine, allowing for a thoroughly comprehensive delivery in which no element is lost in the mix.

Highs

While there is a bit of air in the highs, the profile isn’t necessarily buoyant. There’s a little weight to the treble frequencies, even though the presentation isn’t overtly saturated. In fact, the delivery is quite neutral here, revealing perhaps a bit of sparkle, but never dazzling the ears with radiance or sizzle. So, don’t expect too much charisma in the highs. But do expect a transparent and honest performance that remains relatively easy on the ears throughout extended listening sessions.

Summary

One of the reasons I love Audeze is that they never make a boring headphone, even when its designed for reference use. And such is the case with the MM-100. The entertainingly holographic soundstage, along with the MM-100’s dynamic mids inject just the right amount of flavor into a sensibly balanced headphone. At the end of the day, the MM-100 is not only trustworthy, but also pretty damn fun.

You can buy the Audeze MM-100 at Audio 46.

The post Audeze MM-100 Review appeared first on Major HiFi.

What’s in the Box?

• Final Audio ZE8000 MK2 Earbuds
• Charging Case
• Ear Tips (5 Sizes)
• USB-C Charging Cable
• Acoustic Tool
• Dust Filters

Look and Feel

Modern and edgy in its understated way, Final Audio has put its classic elegant characteristics into the ZE8000 MK2. The speckled matte finish behind the simple logo adds just a touch of shine to an otherwise minimalist look. And little touches, like the sliding lid of the charging case suggest that, yes, you have spent some good money on this. That said, the build is far from compact; both the charging case as well as the earbuds themselves are on the larger size when compared to competing models. And I must admit that I felt a little clumsy when taking the earbuds out of the charger and putting them back in. But once you get used to the somewhat clunky design of the earbuds, putting them on becomes a more seamless exercise.

In terms of comfort, I had no problems. The two tier seal is noticeably snug, providing great natural sound isolation, but it never bothered me, even after extended use. 

Design

Controls and Functionality

Most of the controls can be accessed from the touchpads on the earbud stems, such as track navigation, call answering and voice assistant. You’ll also be able to switch between noise cancelling and ambient mode, which allows in sound from the outside environment.

Final Audio has included a companion app that offers extra features, such as an equalizer and 4 modes of noise control. But personally, I had problems pairing my earbuds to the Final Connect app, so none of these features were available. Fortunately, this is probably just a glitch that will be fixed in the next update.

Bluetooth

The ZE8000 MK2 supports Bluetooth 5.2. Pairing was relatively easy, and I experienced no dropouts, even in the middle of Manhattan. As for hi-res support, you’ll be able to use aptX and aptX Adaptive.

Battery

You’ll get 5 hours of continuous use from the MK2, with another 15 hours of charge in the case. This is on the lower side of average for a pair of earbuds in this echelon, but I guess hi-fi sound comes at a price.

Active Noise Cancellation (ANC)

As effective and the natural sound isolation is, I didn’t notice much effect from the ANC mode. But to be honest, the ANC is not really needed, given how good the seal is. And as mentioned above, if you want to hear more of the outside environment, you can switch to ambient mode, which lets in the sound of your surroundings.

Sound Impressions

Soundstage

This probably has to be one of the most multidimensional soundstages I’ve heard in wireless model. While not endlessly vast, there’s tons of depth here, with instruments reaching way behind and in front the ear when called upon. You’ll hear an impressive amount of height too, with elements soaring to the top of the head, while the play between elements reveal subtle gradations in height with colorful clarity. In addition, the fantastic separation injects plenty distance between elements, adding to the holographic sense of space. So, while the stage is relatively contained and focused, you’ll hear plenty of variation across all planes, creating an uber-vibrant bubble of sound.

Low-End

The bass is powerful, warm and quite speedy. There’s nothing stingy about this low-end response, providing ample punch and weight to pop tracks and other modern genres. At the same time, the bass has good discipline, always staying in its lane and never breaching into higher frequencies. Listening to strings in this range, the MK2 reveals an impressive amount of transparency, while injecting some rich color into the timbre of the instruments. So, while the textures and resonance sound natural and highly detailed, there’s a weight and majesty to the presentation.

Mids

It’s been a while since I’ve listened to the original ZE8000, but the MK2 seems quite bit cleaner, especially in the low mids, achieving a more definitive break from the controlled bass frequencies. The separation and layering are pristine, ensuring that no element is lost, even in the most crowded mixes. And this is a hard feat to achieve for such a warm sound. As we move up the frequency range, a more delicate delivery develops in the slightly forward upper-mids, handling instruments like guitars intricately and tenderly, and bringing vocals up close to create a super detailed and intimate performance. 

Highs

I was surprised to hear airiness in this range, but vocals sound like a fresh breeze at the very top registers. You’ll get some sparkle up here too, which rarely turns into sharpness at the treble peaks. Listening to acoustic instruments in this range, the MK2 achieves a nice balance between smoothness and texture. So, while the presentation is somewhat fluid, you never feel like you’re missing out on detail.

Summary

The ZE8000 MK2 is a significant upgrade from Final’s original flagship model. In fact, the MK2 might be a five star wireless earphone, held back only by its temperamental companion app and average battery life. And once the firmware updates fix any bugs, the ZE8000 MK2 will be a tough model to beat. With a super holographic soundstage, a warm and powerful bass, expressive mids and airy highs, the MK2 presents an addictive sound signature with a level of skill that approximates a great IEM.

You can buy the Final Audio ZE8000 MK2 at Audio 46.

The post Final Audio ZE8000 MK2 Review appeared first on Major HiFi.

What’s in the Box?

• FiiO BTR15 DAC/Amp
• USB-C OTG cable with USB-A adapter
• Removable plastic case with clip

Design

Build

This is a super sleek little device, just as enjoyable to hold as it is easy to smudge. And certainly, it looks a lot more like the BTR5 than it does the BTR7 (which technically, has the upper hand given its dual THX AAA-28 amplifiers). Everything about the BTR15 feels relatively solid and well built. The curved glass is particularly attractive, though given the breakability of this type of design, it might be wise to use the included plastic protective case. 

The few buttons (controlling functions like volume, track skipping, call answering, etc.) on the right side of the DAC feel firmly in planted and are easy to navigate. You’ll also find a button that allows you to switch between Bluetooth, USB and Phone modes. At the top of the DAC, you’ll find a 3.5mm headphone output and a 4.4mm balanced headphone output. Finally, a single USB-C input is located at the bottom of the device.

DAC and Amp

Under the hood, are dual ES9219MQ DAC chips, which handle sample rates and resolutions up to 384 kHz / 32-bit. For this model, FiiO has implemented an independent power supply system for the powering the DAC and the amplifier. By separating the power supply, the BTR15 is able deliver lower noise while increasing the power output.

Bluetooth

The BTR15 employs Bluetooth 5.1 and supports virtually all hi-res Bluetooth codecs, including aptX, aptX Adaptive, aptX HD, aptX LL and LDAC. In addition, you’ll also be able to render your MQA files.

Power Output

The FiiO BTR15 delivers an impressive amount of juice for such a teeny thing. I hooked it up with FiiO’s FT3 Headphone, which has an impedance at 350 Ohms, and the BTR15 drove it comfortably with even a little headroom to spare (using the balanced 4.4mm plug). So, unless you’re planning to drive a particularly power hungry planar model, you should be ok. 

Battery

You’ll get around 8 hours of use from the BTR15 before having to recharge it. It should be noted that the BTR15 does not support fast charging. So, it’s likely that some fast chargers will not work properly with this device. 

Equalizer and Companion App

The BTR15 comes with a FiiO companion app that offers a fully customizable (global parametric) equalizer with adjustable gain. In addition, you’ll be able to control added features, such as distortion compensation, Bluetooth codec selection and various operation modes, in addition to a few other extra setting options. 

Calls

The BTR15 comes with a pretty solid mic. The caller heard me clearly, and the mic didn’t seem to pick up too much ambient disruption.

Sound Impressions

I swapped around some headphones, and switched between Bluetooth and USB modes to get a better idea of what this little device is capable of. Unsurprisingly, the sound profile was a lot cleaner using the USB connection than it was using the Bluetooth LDAC codec, which would occasionally leave the bass sounding warmer, fatter and more present.

That said, besides the sometimes slightly “enhanced” bass, you can expect little manipulation to the balance or tuning of your headphones. At the end of the day, BTR15 is a relatively neutral DAC that retains the integrity of the original source. And once connected via USB, the presentation was immaculate and controlled, slightly improving in transparency and separation, though again, it never feels like your IEMs or headphones are getting a complete make-over. Overall, the presentation always feels natural and articulate, while avoiding any ostentatious tweaking of the sound signature.

Summary

For $120, the FiiO BTR15 checks all the right boxes. With tons of power and a clean, detailed delivery, the BTR15 is the perfect device for audiophiles who want Bluetooth on-the-go, but just can’t part with their beloved wired headphones. The microphone adds even more flexibility on your hi-fi commute to work, allowing you to make calls without switching devices. Finally, considering the fantastic resolution it delivers via USB connection, the BTR15 is also a great addition to your desktop arrangement.

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You can buy the FiiO BTR15 at Audio 46.

The post FiiO BTR15 Review appeared first on Major HiFi.

In the Box

• A&K KAAN Ultra DAP
• A&K USB-C Charging Cable
• Screen Protectors
• Quickstart Guide
• Warranty Info

Build

The KAAN Ultra sits like a brick in my hand. The fanciest brick I’ve ever held. Still, far thinner and sleeker than the first KAAN model, this DAP allures the senses with its satisfying weight, hard angles, absence of too many buttons, and substantial, yet elegant volume dial. Indeed, the aesthetics are very Astell & Kerny, merging power and heft with a minimalist sophistication.

Design

Under the Hood

The KANN Ultra is furnished with the latest ES9039MPRO DAC in a dual configuration. Yes, it can play all the hi-res things. In fact, positioned for future-proof functionality, it can even playback up to PCM 768 and DSD 1024. The ES9039MPRO also boasts advanced modulation compared to A&K’s existing flagship DAC, aimed at reducing power consumption, noise, and distortion.

Most notable, this particular A&K DAP model is the first to introduce next-gen Octa-Core processors, touting significant performance improvements, with faster system speeds and a smoother, faster-flowing 4th generation UI/UX.

The KAAN Ultra also includes a bunch of other design features, such Digital Audio Remaster (DAR) technology, as well as Astell & Kern’s own TERATON ALPHA technology, which allows for separate amplifier profiles for the Headphone Out and Line/Pre-Out ports to provide the optimal sound for each port.

Battery

You can expect a battery life of up to 11 hours, though I’ve generally found that this measurement is not an exact science with Astell & Kern’s DAPs, as the actual usage time tends to be shorter.

Power Output

This KAAN Ultra sports four gain modes, delivering up to 16Vrms of output. Yes, The KAAN Ultra is damn powerful. We powered everything from a 350 Ohm dynamic driver to the extremely power hungry Dan Clark Stealth, and it was able to handle them all with headroom to spare.

Features and Functionality

In addition to using this DAP solely for headphones, the Kann Ultra incorporates separate Pre/Line Out options, making it useful for other applications as well. For example, you can choose Pre-Out mode on the Pre/Line Out port to send out the source to an external amplifier or audio device. In addition, you can use the Kaan Ultra as a straight DAC and have your music source coming from elsewhere.

Finally, you’ve got all the features and functions that are now standard on all A&K players, such a Bluetooth, Crossfeed, DAC filters, equalizer and Wi-Fi, just to name a few.

Sound Impressions

It’s been a while since I’ve listened to one of Astell & Kern’s higher-tier DACs, and I have to say, I’m again floored.

Starting with the soundstage, the added expansiveness is incredible, creating so much space and openness that, at times, it feels like you’re listening to hi-fi speakers, especially with respect to the remarkably wide imaging. It’s hard to master both, massive scale and anal precision all at once, but the KAAN Ultra flawless in both respects. It’s big, yes. But the separation is also insane, pulling apart sound elements to all angles of the stage, creating a soundscape so vibrant and magical that it calls for unicorns.

There’s also an enhanced robustness to the sound, a tastefully restrained, yet steady energy that’s just waiting to explode. And a lot of the power comes from what sounds like slightly enhanced bass frequencies, which seem to deliver the low-end elements with increased weight and oomph. 

But this attribute never translated into any bloat into the higher frequencies, and the overall profile always remains immaculately clean. As for the treble, that rich resolution continues, perhaps providing a little air, but more substance than buoyancy. But the presentation is always uber-transparent, even if some of the more raw textural elements feel a touch “purified” at times, which I actually loved.

Summary

If you’re looking for power on the go in the form of an incredibly handsome DAP, you’ll be hard pressed to find anything better than the KAAN Ultra. Capable of handling any headphone you throw at it, this model takes portable power to the next level. Add to that a massive and immaculate 3D enhancing soundstage, improved bass performance and A&K’s anally controlled and precise delivery, and you’ve got one of the best DAPs in its class, hands down. Sure it’s pricey. But when you compare the Kaan Ultra’s power and performance to similarly priced, standalone DAC/amps, it becomes clear that you’re getting your money’s worth.

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You can buy the Astell & Kern KAAN Ultra at Audio 46.

The post Astell & Kern KAAN Ultra Review appeared first on Major HiFi.