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Sony WH-1000XM6 Wishlist – How Sony Can Improve Their Flagship Bluetooth Headphones

Alex Schiffer — Mon, 10 Jun 2024 20:19:59 +0000

We all know that the release of the Sony WH-1000XM6 is inevitable. It’s almost been two years since the launch of the XM5, which seems to be the lifecycle of Sony’s flagship wireless headphones. While there hasn’t been any official news about the XM6 yet, other headphone brands have been upping their game when it comes to sound quality, ANC, and battery life. The XM5 still stands firmly at the top of the market, but there’s a lot that Sony can do that could bring the 1000x series to the next level.

Since the release of the XM5, we’ve seen the emergence of premium Bluetooth headphones like the Focal Bathys, Bowers & Wilkins PX8, and DALI IO-12. The 1000x series has never entered that price bracket, but there could be some lessons that the XM6 could take from them. The audiophile market and Sony’s consumer market intersect more than you might think, considering the 1000x series continuous support of the LDAC Bluetooth CODEC. Direct competitors to the XM5, like the Sennheiser Momentum 4 have their advantages over the XM5, but the XM6 could also take notes from it, and greatly improve upon its design.

AptX Lossless

It’s unlikely that Sony will ditch LDAC, but some form of lossless CODEC should be considered for the XM6. Many true wireless earbuds have already started to incorporate aptX Lossless, from the Denon PerL to the Sennheiser Momentum True Wireless 4. With the XM6, Sony could find themselves ahead of the curve by having one of the few over-ear Bluetooth headphones with aptX Lossless. Using Spotify in its current form with this CODEC won’t change anything, but Apple Music, Tidal, and Qobuz enjoyers might find more benefits. This is especially if you’re connected to a reliable WiFi network. However, I can’t see Sony adopting any technology from Qualcomm for the XM6, so this might be the least likely scenario.

USB Type C DAC

The 1000x series has always allowed straight analog audio through a detachable 3.5mm cable. While this has always been a good option to get better audio from your Bluetooth headphones, recent releases have been utilizing USB-C to increase sound capabilities. Some headphones like the Focal Bathys and Bowers & Wilkins PX7S2e now offer built-in DACs. This allows you to connect your headphones straight to your USB-C port on your smartphone, but it also enhances the sound by bypassing the built-in sound chip in your phone and using the headphone’s instead. Ideally, this chipset would upgrade the sample rate and bit depth from your phone, performing better sonic properties in response. This seems to be where the over-ear Bluetooth market is going, as it makes the most sense with the lack of 3.5mm headphone jacks on most smartphones.

Battery Life Upgrade

The standard for battery life on consumer headphones has shifted since the release of the XM5. Sennheiser’s Momentum 4 was one of the first consumer Bluetooth headphone’s to apply this with its massive 60 hour battery life. Now, many other headphones are following suit, even ones that cost significantly less than the XM5. It would be disappointing if the XM6 shipped with the same 30 hour battery life as the XM5.

ANC & Call Clarity

These are two things that Sony already leads the market with, so I don’t see what they could possibly make better. Sony’s QN1 noise-canceling processor is still fairly new, and is already pretty advanced. If Sony is already leading the market in noise-canceling technology, it’ll be interesting to see if they develop it further. As for call clarity, this is another one of Sony’s strengths. Some headphones have been using MEMS microphones, which have helped improve their voice clarity. However, as with the ANC, I think Sony already has a good thing going with their current microphone principle so I don’t expect to see it changed.

The post Sony WH-1000XM6 Wishlist – How Sony Can Improve Their Flagship Bluetooth Headphones appeared first on Major HiFi.

So this is your first CanJam – Here’s What To Expect

Jordan Aaron — Fri, 08 Mar 2024 21:24:05 +0000

Ahh, spring time is approaching in New York City, which could only mean one thing: it’s time for CanJam. If you don’t know, CanJam is a headphone conference that makes its way through various cities and countries throughout the year. In 2024, there will be a CanJam in Singapore, Shanghai, London, Southern California, Dallas, and of course, New York City. Here, I’m going to run through some frequently asked questions and offer some tips and tricks to make your first CanJam the best it can be.

What time is CanJam NYC and where is it?

CanJam takes place on Saturday March 9th and Sunday March 10th at the Marriot Marquis in Times Square. So if you’re around and have extra time on your hands, you’re in a central location to check out some of the City’s greatest sites. Just blocks away from Radio City Music Hall, Rockefeller Center, Broadway, and all of Times Square’s many attractions and restaurants, you’re sure to find plenty to do. But make sure to plan accordingly! There’s a lot to see both around the city and at CanJam itself.

Who will be there?

Aside from other audiophiles, you can expect pretty much every major player in the audio world to be there. Some exciting companies that will be exhibiting are Final Audio, Audeze, Focal, Sennheiser, Hifiman, Meze, Audio-Technica, Abyss, Campfire Audio, Audio46, and many more. Be sure to take stock of all the brands that will be there so you can make sure you don’t miss anyone. A full list of exhibitors can be found here as well.

How should I prepare?

In theory, there should be nothing for you to prepare, but alas, CanJam, like any event, has its quirks and it can be helpful to know a few things before arriving. For starters, lines can be very long at times, especially on Saturday, so having a plan for how you want to budget your time is important. Definitely scout out the brands that are going to be there and make a list of your priorities. You may have some very popular brands and some less popular brands, so you may want to get to the more popular brand earlier in the day so you can be sure you get to hear what you want to hear.

Should I bring anything?

The first CanJam I went to, I got the advice, “all you need to bring is a set of ears and a positive attitude.” Now, while you definitely do want to bring those things, you will want to bring some stuff with you. For starters, you’ll want a bag of some sort. Whether that’s a backpack, a tote, or any other type of bag is up to you. But you’ll surelu want a bag. What will you be putting in this bag? Well for starters, you’ll want to put a nice big bottle of water in there. Yes, there are water coolers around the site but this will only get you a small cup at a time. Then, you’ll need a place to put all your free swag (we’re talking stickers, pins, patches, you name it).

And then comes the real stuff. If you’re picky about source quality or want to bring your own music, you’ll need a DAP or your phone with the appropriate dongles, cables, and components. Many vendors will have sources with them that stream audio too, so this could be as simple as making a public playlist in your streaming app of choice. But do note that several vendors won’t have streaming hooked up and you’ll be limited to whatever selection of music they have on hand. Likewise, the vendors should have the necessary cables and converters you may need, but in my history, it’s always faster and more efficient to bring your own.

Finally, you may want to bring your own ear tips, IEMs, and even headphones. Note that I say “you may want” and not “you need to.” The reasoning behind bringing your own ear tips is simply for sanitary reasons. But you also may know you like a certain tip and want to hear IEMs through them. That’s fine too.

As for bringing your own IEM or headphone, this could be useful if you’re interested in trying DACs, sources, or amplifiers and want to demo them on a headset you already know very well. That said, bringing your own gear is optional, so bring what you like, or leave it all for the convention floor.

When is the best time to come?

Like I said earlier, lines can get pretty long at more popular booths so you may want to prepare to go to them at less popular times. In my experience, the best times to try more popular items are at the beginning and end of the day, and definitely during lunchtime. You’d be surprised at how much the place empties out for hungry audiophiles to get their grub.

Are the seminars worth it?

CanJam always offers seminars that are worth checking out. These usually lean into more educational topics. Typically, speakers will talk about engineering their products, what goes behind the ones and zeros of digital audio, or how to run a headphone business. CanJam will have several like these this year, including a talk by Dr. Sean Olive from Harman International on target curves, or Zach and Bevin Mehrbach from ZMF talking about starting up and running their own headphone business. If you want to get into the nitty gritty of the headphone world, these seminars are definitely worth it. Just be prepared to bring an open mind and learn some stuff while you’re at it.

Wrapping it up

So that was a lot of information. At the end of the day, what’s most important is that you come and have a good time. Listen to as much as you can and keep an open mind. This is your chance to try all the hot new items you’ve been hearing about, so take it all in and enjoy it.

The post So this is your first CanJam – Here’s What To Expect appeared first on Major HiFi.

What Spatial Audio Can Do For Podcasts

Alex Schiffer — Fri, 27 Jan 2023 21:11:50 +0000

We’ve talked a lot about spatial audio here on MajorHiFi. This modern virtual soundstage has made its way into many different mediums, such as music, film, TV, and gaming. However there is one more medium that isn’t discussed as much when it comes to spatial audio, and that’s podcasts. Just like genres of music or games, there are many different types of podcasts, many of which, could plausibly benefit from spatial audio integration. You might not be sure why it would even make sense for certain podcasts to get spatial audio integration. After all, why would you need spatial audio for something so simple like people having a conversation?

Movies and gaming are already mixed with surround sound, so it makes the most sense why spatial audio would work for those mediums. Music is mainly stereo, but spatial audio integration with steaming services such as Apple Music and Tidal, more people have been experiencing what 3D audio has to offer. Dolby Atmos has delivered a new experience for music lovers, and according to and interview will Billboard, Apple Music Vice President Oliver Schusser in Feburary of last year said:

“We now have more than half of our worldwide Apple Music subscriber base listening in spatial audio and that number is actually growing really, really fast.”

Do Podcasts Need Spatial Audio?

So why would podcasts need spatial audio if they’re mainly made up of mono voices? Well, there are genres of podcasts like audio drama, and audio fiction that integrate stereo mixes with many elements like sound effects and music playing integral roles in listener immersion. Spatial audio can be used to push these shows, which some have called “ear movies,” into something even greater. Unlike movies or games, podcasts are a mostly audio only medium, so showcasing audio design in this way could be used to call even more attention to its importance. In podcasts, sound design and music set the tone and can portray the emotional significance of the story. The illusion of the narrative can be better realized, putting you right in the middle of the action, and making you apart of the world like movies and games do.

Spatial Audio For Audio Fiction

Imagine a story playing out completely inside of your head, where dialogue and Foley effects are properly spaced out and distanced according to where they are in the story. Podcasts that center on genre fiction like sci-fi and horror would really come to life, and deliver true immersion like you’ve never heard before. The sound design can be used to really get under your skin, almost like putting on a soundtrack to your imagination.

Going even further outside the realm of audio fiction, news and general talk shows with high production value could also see something out of spatial audio. Usually all voices should be heard straight down the middle, but what if the show uses archival footage with environmental sounds like a nature show? Hearing those sounds in spatial audio would surely engage you more in the shows topic. One show that springs to mind is a show called “Podcast But Outside,” where the hosts interview random pedestrians around LA. Hearing the bustling soundscape of the city in 3D could add to the obscure comedy the show presents, capturing the almost uncomfortable realism in a new way.

Music podcasts could use spatial audio clip, which might forge even greater interest in the artist that’s being featured. Even in general interview shows, spatial audio can be used to put you in the center of the room, like you’re more involved with the conversation. There are a lot of live talk podcasts where the 3D effect can be used to simulate the live environment, like you’re part of the audience and not just listening to recording.

What Platforms Would Have Spatial Audio Podcasts?

As of right now there are very few podcasts that implement spatial audio techniques. Many podcasts operate on a DIY notion, with not much budget to really invest in the proper equipment, like microphones and plug-ins. While spatial audio has become more available for people to hear, mixing with it is a different story. Big studios are sure to already be experimenting with spatial audio podcasts, and popular shows like The Daily have already been testing the format. I would think that Apple Podcasts would be the first platform to feature something like this, with spatial audio being such a huge part of their service. Other big streamers like Tidal and Amazon Music could also theoretically start producing spatial audio podcasts, as they already feature 360 tracks for Sony headphones.

Podcasting could be seen as still in its infancy, and spatial audio technology could only be used to bring the medium to the next level.

The post What Spatial Audio Can Do For Podcasts appeared first on Major HiFi.

2021 Best Earbuds Under $100

Majorhifi Editorial Team — Wed, 03 Nov 2021 19:00:39 +0000

When cash flow is low, but your taste in music quality is high, you’re forced to get budget-friendly earphones that can keep you from burning a hole in your pocket, but all the while satisfying to your ears. We’ve got a list for that!

Advanced Wearable Audio – AWA 101 Dual-Driver IEM

These earbuds pack a nice punch at the under $50 mark. Actually valued at $80, AWA 101 currently retails for $50. it features dual drivers which make for a nice boosted low end (hey bass heads) and smooth audio that rings straight through to the highs.

Kinera BD005 Pro

You can always trust Kinera to deliver a great sound no matter the price range. The BD005 Pro is one of their best values, providing a sound signature that’s hard to beat for only $49. Here, you’ll experience a warm timbre that might not deliver on impact but will definitely succeed in producing a smooth tonality that is easy to enjoy and get lost in.

Moondrop Aria

This $79 IEM from Moondrop has been gaining a considerable amount of popularity recently, and for good reason. The Aria sounds like an IEM well beyond its price point, giving you a shockingly grand and airy soundstage. It has immersive spatial properties that deliver clarity and articulation to each of your tracks while producing a smooth tonality that’s hard not to enjoy. There’s a greater thickness in its bass while balancing the highs with detail and texture without being too bright. Midrange frequencies are a bit recessed but are emphasized at the right points to make elements like vocals stick out.

Final Audio E2000 Hi-Res Earphones

These earbuds offer a lightweight and simple design that provides listeners with a completely referenced and balanced sound signature with a wide sound stage.

Queen Of Audio Vesper

Kinera’s sister brand Queen of Audio lives up to their name with the $60 Vesper. The soundstage is about what you’d expect, but in terms of texture, the Vesper goes above and beyond its price point. Its low-end drive pops out of the sound signature, offering solid impact and warmth with exceptional layering. This is also probably the best-looking design you’re going to find for less than a hundred, with Vesper’s artistry and fancy cable.

Fiio FD1

Fiio is another IEM manufacturer where you’re sure to find something no matter what price range you’re looking in. As far as the FD1 goes, you’re given one of the most spacious soundstages in this price range, with incredible width and accuracy throughout its imaging. Each layer is carefully positioned articulating an immersive stage for maximum engagement.

Strauss & Wagner EM205

Strauss and Wagner is a brand that produces solid and inexpensive products that prove their value with their superb sound. At only $39.99 you’d think it impossible to have a sound this clean, but the EM205 finds a way to achieve great clarity with such a standard design. Bass fidelity is tonally thick and powerfull, fulfiling a meaty low-end with clear details.

Do you think there is a particular earbud that should be part of our “2021 Best Earbuds Under $100” article? Let us know in the comments section below.

The post 2021 Best Earbuds Under $100 appeared first on Major HiFi.

Best Earphones For Rock and Roll 2021

Majorhifi Editorial Team — Wed, 18 Aug 2021 22:19:48 +0000

If you’re looking for over-ear headphones, click here.

Rock n’ roll, baby. Give us an anthem, a heartbreaking ballad, a simple guitar strum, and we’ll make it through the day. Today, I’m thinking about which earphones have given me the most magical rock and pop-rock experiences.

For me, it’s all about the midrange. I want it big, full, rich and balanced. A little clarity would be nice too. So, I’ve taken the liberty of finding an IEM in almost every price range for my fellow rockers. If you’re looking for over-ear headphones, click here. Let’s explore the Best Earphones For Rock and Roll.

Under $100

Queen of Audio Vesper

There are many ChiFi type IEMs to talk about, especially for less than $100. The one that struck me immediately as a rock and or roll earphone was from the Kinera adjacent manufacturer Queen of Audio. Their Vesper model for $69 has a lot to offer outside of its beautiful design. Its greatest asset is clarity, as the sound signature produces colorful tones to help highlight the best characteristics of the genre. Firstly, the bass will produce some thicker resonances for those more hard-hitting rock tracks. Bass frequencies are clean and well-positioned in the mix, giving you impact and fidelity. It’ll make a grand performance from the liked of Green Day or Sum 41 appear with more slam, with assistance from crisp mids adding crunch and texture to the tracks. The stage is also expanded greatly, making room for all the elements to work together in a more articulate spatial image.

Find the best price at Audio46.

Klipsch R6M

For those of you who like thick, solid low-mids, try out the Klipsch R6M. These were the first “expensive” earphones I bought, and they changed my life. Maybe I’m Amazed. Listening to Paul McCartney’s huge ballad, those classic deep, muffled kicks and toms were made for the R6M. The guitar solo is very forward and the organ had a nice glow without any harsh upper mids. Lush, heavy and grand is what defines the Klipsch R6M.

You can find these earphones for the best price at:

Audio46: Klipsch R6M In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Sennheiser HD1

Let’s step it up a notch. I highly recommend the Sennheiser HD1. You won’t get a better pair of headphones for $100. With these, you’ll get much more overall balance than the Klipsch, with clearer highs. The mids are perfectly balanced, and it’s a lighter sound. Wow. Fleetwood Mac’s, Everywhere sounds frequen great. Substantial and clear bass, sparkling synth highs, super clear rhythm guitar, and gorgeously airy vocals. There are no piercing highs, and no muddy lows. It’s like dreamy walk in the park after a wake-and-bake.

You can find these earphones for the best price at:

Audio46: Sennheiser HD1 In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Amazon: Sennheiser HD1 In-Ear Headphones (iOS version) – Black Chrome

Under $150

FiiO F9 Pro

When I first heard these, I couldn’t believe they were 140 bucks. Though the mids are quite well balanced, the higher midrange is slightly emphasized. Spacious, with great separation, these buds are ideal for electric guitars. I listened to Start Me Up, by the Rolling Stones. You get a big soundstage and a freqload of clarity for such a messy band. The bass is deep and present without overwhelming the higher frequencies. The drums are snappy, and the texture of the electric guitars comes out nicely. (They also work great with pop). The F9 Pro has a detachable cable, which you can replace. It also includes a balanced cable if you feel like taking your sound to the next level. Pretty, pretty, pretty good.

You can find these earphones for the best price at:

Audio46: FiiO F9 Pro In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Amazon: FiiO F9 PRO Best Over the Ear Headphones/Earphones/Earbuds Detachable Cable Design Triple Driver Hybrid (1 Dynamic + 2 Knowles BA) In-Ear Monitors with Android Compatible Mic and Remote (Titanium)

Under $200

Campfire Audio Comet

These buds are brand new. Campfire makes amazing in-ear headphones that are usually super expensive. The Comet is the first model released for under $200. They are, without a doubt, one of the most well balanced earphones I’ve experienced in this price range. Punchy, with a vast midrange, the Comet delivers a fantastic chorus. Listen to Next To Me, by Imagine Dragons. The kick drum is solid as cement. The lead vocals are neither too forward or removed. And the choir completely engulfs you. Full, full.

Editors Note: The Comet has been discontinued.
You might find the Satsuma as a good replacement option here.

You can find these earphones for the best price at:

Audio46: Campfire Comet In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Under $500

Westone W40

So, here it is, one of my favorite in-ear headphones of all time. The Westone W40. Though it shares the sound signature of other Westone models, the W40 has a lower frequency extension. It’s got serious depth, snap, dryness and, of course, beautiful midrange fullness and balance. Perfect for rock. I Wanna Get Better, by Bleachers. As it moves into the anthemic chorus, you feel a deep bass and drums, massive vocals, resonating cymbals and a generally voluptuous feel. Getting to the guitar solo, you’ll notice the clear texture of the strums and a thickness in tone. Sonic luxury.

You can find these earphone for the best price at:

Audio46: Westone W40 In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Amazon: Westone W40 Four-Driver True-Fit Earphones with 3 Button MFi Cable with Microphone and MMCX Audio Cable

BGVP DM8

One of the latest brands to make it overseas is BGVP, and their DM8 model has been a big hit here at MajorHiFi. Its biggest asset is its level of separation. When listening to busy rock tracks it’s important for all of the elements to be in the place they’re supposed to be, while also providing great clarity and detail. The air between these elements is the real kicker, taking classic tracks from the likes of George Harrison’s “All Things Must Pass” and expanding them to their deepest and widest form. You get a nice transparent midrange for those acoustic and electric instruments to come in clean, while the glistening of the treble gives them a finishing glow, adding shine to those brass sections and percussion.

You can find the BGVP DM8 at Audio46.

Under $1000

Shure SE846

A little jump in the price here. But the great news is that once you reach this echelon, sound starts to blow your mind. It would be unfair not to mention Shure in this article because they make killer IEMs. And the Shure SE846 is my favorite in their line-up. A wide soundstage and out-of-this-world clarity! Get ready to hear details that you once missed in your music. The more subtle instruments suddenly pop their heads out, and you think, “Oh, that’s how it was supposed to sound.” Don’t Wanna Fight, by Alabama Shakes. The first thing struck me was the amount of separation I heard. The two guitars were so individual and realistic. Clean and super-well defined. Brittany Howard’s vocal was so tight (I don’t mean cool). What a snappy headphone! I felt like I was standing right in front of the stage; a ton of width and depth. The intimacy of the listening experience is astounding. Crystal clear gold.

You can find these earphones for the best price at:

Audio46: Shure SE846 In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Amazon: Shure SE846-CL Sound Isolating Earphones with Quad High Definition MicroDrivers and True Subwoofer

Kinera Imperial Nanna

The original Kinera Nanna brought a great natural sound signature that used its warmth and soundstage exceptionally well. For an IEM just hitting that under a thousand dollar range it was one of the best of the bunch. While I could recommend the original model, I felt the latest Imperial version better fit the qualities of the rock genre. The low end goes a bit deeper with this tuning, shaving off some of the resonance and sticking to crisp vibrations instead. This makes bass instruments give off a lot more subtle feel, with sub-bass frequencies giving off more layers. Bass guitars and synths feel like they have a lot more power, and provide certain tracks with a lot more depth. Highs are a lot tamer too, but they don’t sacrifice detail. You get the same resolution while maintaining a more easy-listening sensation. The midrange is what’s most important here, as it contains a pure timbre that makes rock tracks sound unmistakably clear. The vocal performance sounds absolutely pristine, giving you an uncompromised range of detail. You’d be missing out if you didn’t get to hear a David Bowie track on the Imperial Nanna.

You can find the Kinera Impeial Nanna at Audio46.

Under $1500

Campfire Andromeda

Ok, now we’re getting serious. This headphone is not only perfect for rock, but also my favorite in-ear headphone of all time. In fact, I don’t care what genre you listen to. They are an audiophile’s dream come true. What separates the Andromeda from all other headphones? Solidity, speed, clarity, frequency range…I could go on. But let’s use a concrete example. Cocaine, by Eric Clapton. On the Andromeda, this song sounds dryer than Moet Imperial Brut. The transient response is incredible. The drums hit you like bricks at the speed of light. The high hats and cymbals are crispier than crackers. The high rhythm guitar, though subtle in the song, is just as clear as the lead. There is no resonance to speak of. Just grip, grip, grip. Frequen unbelievable.

Editors Note: The link provided takes you to the 2020 version of this model.
2020 version may include slight differences.

You can find these earphones for the best price at:

Audio46: Campfire Andromeda In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

JH Audio JIMI AION

To me, JH Audio is the closest to a rock n roll brand of IEMs we’ve gotten. Everything about its design and sound signature screams rock n roll, and the $1,299 price point makes them fit well in this price bracket. With the JIMI AION you get a massive bass and midrange response that’s meaty and resonant. It gives tracks a great drive, with a full tonality that makes every track feel gigantic. Hard rock tracks from the likes of Ghost are provided with the punch and groove you’d be expecting from their music.

The JH Audio JIMI AION is available at Audio46.

Under $2000

JH Audio Lola

If you listen to classic rock, and love vinyl, DO NOT LOOK ANY FURTHER. The warmth and softness you hear through these babies is like no other. This IEM is not designed for critical listening, but for a euphoric sonic trip. I think it would be a crime not to hear a Beatles song in describing the Lola. Lucy In The Sky With Diamonds. As John Lennon starts singing, I can’t say that I hear distortion. But his voice has a roundness that can only be replicated when listening to records. It’s like swimming in honey. Smooth, thick and fluid. That weird guitar/sitar off to the left, is clear, but incredibly distant, which attests to both, the width of the soundstage and accuracy of the imaging. You can hear the forwardness of the bass, so there’s also a lot of depth too. It’s not crystal clear like the Shure SE846, and lacks the grip of the Andromeda. But that thermal, analogue feel is spot on. Like any spiritual experience, the sound on the Lola is hard to put into words. So, I’ll just say, rock and roll, man.

You can find these earphones for the best price at:

Audio46: JH Audio Lola In-Ear Headphones Use our promo code “majorhifi” to get a 10% discount

Amazon: JH Audio Lola Hybrid In-Ear Monitor

AAW Halcyon

This IEM is a standout in the market, holding great properties for a rock n roll earphone. The Halcyon hits hard, with its punchy bass and crisp midrange, giving you great detail and extension. Selection from Electric Light Orchestra delivered this impactful yet tight and smooth timbre that made the tracks pop. Its crisp mixture of midrange textures provides excellent instrument and vocal resonance for detailed performances in a spacious image.

The AAW Halcyon is available at Audio46.

The post Best Earphones For Rock and Roll 2021 appeared first on Major HiFi.

64 Audio Releases the Nio

Gabby Bloch — Fri, 19 Jun 2020 14:24:19 +0000

64 Audio Introduces its First High Driver-Count Hybrid IEM

Nio features 9 drivers. A 9mm dynamic driver powers the lows, 6 balanced armatures drive the low mids, 1 balanced armature for the high mids, and one tubeless Tia driver for the highs.

Warm Feel

With a sound signature characterized by extended lows and a rich 3-dimensional soundstage, Nio’s smooth treble and natural warmth will provide hours of enjoyable listening for all genres of music.

Versatile Profile

The Nio boasts a highly versatile sound signature, featuring the new M10 Module, which is the most open module that 64 Audio has ever created. The result is a more spacious sense of ambience and an IEM that is not only optimal for listening enjoyment, but also suitable for studio monitoring. The Nio is particularly skilled at clean layering of instruments, ensuring that nothing is lost in the mix.

Sophisticated Look

Using their tried and true aluminum shells, which are both, lightweight and strong, 64 Audio finishes the shell off with a snazzy gloss coating that lends itself well to the sophisticated look of the faceplate. Unlike 64 Audio’s previous models, the Nio also comes in a luxurious hard leather case that highlights the classy look and sound of this IEM.

You can purchase the Nio at Audio 46

The post 64 Audio Releases the Nio appeared first on Major HiFi.

Are Audiophile Headphones Worth It?

Gabby Bloch — Fri, 12 Jun 2020 19:24:01 +0000

Some people may think that only seasoned ears can tell the difference between a $100 headphone and a $1000 headphone. But I find that this most often isn’t the case. Even those with little headphone knowledge can usually identify “good sound” after they’ve listened to a few models back to back. That being said, one may look at the hefty price tags on some “audiophile headphones” and wonder, are they really worth it?

The short answer is yes. Though there are exceptions. But the long answer depends on a few factors, including:

How good are your ears?
What kind of sound signature do you gravitate towards?
At what level are you willing to accept diminishing returns?

Should I Buy an Audiophile Headphone?

So, let’s start by covering three major decision making factors, and then we’ll discuss some of the elements that make a headphone an “audiophile headphone.”

Your Ears

I find that most people have better ears than they think. Usually, even untrained ears can tell the difference between a cheap headphone and an expensive one. There are exceptions, of course. But with the risk of stating the obvious, more expensive headphones tend to offer more detail and a cleaner sound overall. (But we’ll talk about these elements further below). And the more experienced you become listening to headphones, the more you’ll hear the differences between them in terms of clarity and overall sound signature. So, listen to at least one expensive headphone before you answer, “is it worth it?”

Sound Signature

Every headphone has its own sound signature or profile. Some are bassy and warm sounding, others are bright and light bodied in the kind of sound that they produce. Even if you buy a really expensive headphone, it may not deliver the kind of sound signature that suits your taste. There are $2000 headphones that you may not like simply because the sound signature doesn’t lend itself well to your listening style or preferred genres of music. So, when picking a pricey headphone, be sure to demo it or at least read a review about it. (And we’ll talk more about this below). Otherwise, you may be stuck with a very expensive headphone that you don’t like.

The Law of Diminishing Returns

Generally speaking, at a certain price point, the level of sound quality in terms of basic skill will only start becoming marginally better the more you spend. “Marginally,” being a relative term, depending on how well-trained your ears are. This usually happens around the $1000-$2000 level, though there are exceptions. I can think of a few $500 headphones that I prefer over models that cost $2500. And I can think of $3000 headphones that are significantly better performing than $1500 headphones. There are other factors that come into play, which we’ll explore below. But generally speaking, after 1000 bucks, the differences in sound quality will become harder to discern for untrained ears. For seasoned audiophiles, however, these differences may well be worth the extra wad of cash.

The Focal Utopia is often called the Cadillac of headphones. It’s one of the priciest and most popular audiophile headphones on the market, retailing for about 4 grand.

Now, if you’ve decided that you indeed want to invest in an “audiophile headphone,” you first want to consider a number of factors.

What to Look For in an Audiophile Headphone

There are many elements that make for a “skilled” headphone. In fact, there are hundreds of terms that are used to describe sound. We won’t cover all of them below, but here are some main factors you want to consider before choosing your headphone.

Transparency and Detail

How clearly can you hear the instrument. Does it sound pure? Do you hear the subtlest details of the instrument’s texture and timbre? This may be difficult to discern for new ears until they’ve listened to the same music track on a number of headphones for comparison.

Separation

Most people can tell when music sounds “muddy.” The mix will sound congested and poorly defined. An “audiophile headphone,” will have clean separation. Listening to a guitar strum, for example, you should hear the separation between guitar strings. Or listening to mixes with heavy arrangements, you should hear a clean layering of these instruments, rather than a mashed up sound where you can’t discern one instrument from another.

Control

Related to separation is control. How controlled is the sound? Does the bass guitar resonate and feel “wobbly”. Or is it tight and and disciplined in its presentation?

Soundstage

How “big” and multidimensional does the sound feel? Are instruments spread out in terms of height, depth and width? Does instruments placement feel accurate? The soundscape should feel colorful, and the best headphones will make you feel like you’re surrounded by sound. You’re looking for a 3D experience.

Balance/Tuning

In general, once you get to a level of an “audiophile headphone”, the type of balance and tuning becomes a matter of taste. Do you like the bass and high frequencies to be emphasised? Or do you want the midrange to be more present? Again, these are preferences that are difficult to identify until you’ve listened to a few pairs of headphones. The type of music you listen to will also play a role in what kind of balance you prefer. Some headphones are tuned to be “versatile”, which means they can handle many types of music genres. Others may be designed for specific genres, like classical or acoustic vs hip-hop and pop. The choices are endless. And this is partly why there are so many audiophile headphones on the market.

Character

Often, related to tuning is character. What kind of personality does the headphone have? Is it a dark headphone? This basically means, does it favor the lower frequencies over the higher frequencies? Is it a bright headphone? Does the treble take center stage over the lower frequencies. Does it sound thin? Does it sound warm and rich? You want to take all of these qualities into account before making your choice. And this answers the question as to why many audiophiles own multiple headphones. Each headphone has its own character. And again, this is why hardcore audiophiles tend to own more than one headphone.

The Audeze LCD-X is a popular headphone in the $1000-$1500 range. Audeze is known for delivering rich and detailed low and mid frequencies.

Open-Back vs Closed-Back

Open-back headphones leak sound and allow sound in. Generally, open-back headphones are considered superior, as they tend to have more spacious and multidimensional soundtsages, amongst other factors. The downside is that you can hear everything going on around you, and everyone else can hear you music. For this reason, some people prefer closed-back headphones, which isolates sound. It’s common for audiophile to use both, open-back and closed-back headphones, depending on the environment they are in.

The Audio-Technica ATH-AWKT is an example of a closed-back headphone. It’s an expressive headphone that excels with respect to detail. And it is well suited towards acoustic genres.

The above elements are merely a brief overview of the many characteristics that make up the sound of a headphone. So, be sure to do your research. Go demo a $%#^load of cans so that you know what you like. If you don’t have the option of trying out any headphones, make sure you read a bunch of reviews before making your first big “audiophile headphone” purchase.

Yes, if you like sound and you love music, most audiophile headphones are worth it. And again, yes, there are exceptions.

You can start perusing through MajorHifi’s Website to see what’s out there. And if you’re into getting something fancy, check out Audio 46 for an extensive line of audiophile headphones.

You can use our ranking tool to understand which audiophile headphones fit your needs.

The post Are Audiophile Headphones Worth It? appeared first on Major HiFi.

Best Bluetooth Headphones of 2020

Gabby Bloch — Sat, 23 May 2020 16:32:35 +0000

2020. Covid. It sucks balls. But that’s neither here nor there. There are countless wireless headphones on the market today. But in my humble opinion, the headphones listed below are the arguably the best on the market this year. (If you’re looking for best in-ear wireless headphones, click here). Many of these cans are not necessarily new to 2020, but they remain huge sellers today. So, whatever your price range, this list should provide you with the highest quality options available. Now, put down that goblet of Wild Turkey, throw on some fresh pajamas, slip on that face mask, and come with me on an adventure called, Best Bluetooth Headphones of 2020.

Which Are the Best Wireless Headphones of 2020?

Under $1000

Beyerdynamic Amiron Wireless

Beyerdynamic is one of the most established headphones companies in the world. Their headphones are used by studio musicians as well as sound engineers all across the globe. But they’ve also ventured into the audiophile market, creating heavy hitters, such as the T1 and T5. And their Amiron Wireless is one of the most skilled wireless headphones on the market. Well-balanced and super clean, with perhaps the most spacious soundstage around, the Amiron is like the Cadillac of wireless headphones. I should mention that these babies are large. And though they come with a case, you’ll need a decent sized backpack to carry them around. But if sound is your priority, then it’s hard to beat these cans.

You can buy these headphones now in copper as well for the best price here.

Under $400

Shure Aonic 50

Shure only released their first wireless headphone, the Aonic 50, earlier this year. But it’s quickly gaining accolades as one of the best headphones in this price range. Vast soundstage, clean, versatile balance, great ANC and fantastic call clarity. Furthermore, these cans just feel good to wear. Super luxurious, the Aonic 50 offers a fit that just says, I’ve made it. You’ll get up to 20 hours of juice from these cans, which isn’t incredibly long when you compare it to models such as the Sony WH-1000XM3. But it does beat Sennheiser’s Momentum 3 by a small margin. Although these headphones are nowhere near as large as the Amiron Wireless, they’re still not the most portable on the market. But as long as you’re not expecting to carry these headphones in your pocket, the Aonic 50 is a fantastic investment.

You can buy these headphones for the best price here.

Sennheiser Momentum 3 Wireless

Back to the subject of soundstage. In this price range, no headphone can match the grandness and color of the Momentum 3 Wireless. It just sounds big. In terms of balance, the low frequencies have a sense of fullness, punchiness, control and warmth. The midrange is smooth and full bodied, while the highs offer plenty of detail and energy. If you like a lively pop or rock track, these cans are for you. And if you’re a classical music fan who appreciates a majestic sounding string instrument, you’ll gravitate towards the Momentum 3 as well. Add to this a ton of functionality, effective ANC and fantastic call clarity, and you’ve got a truly impressive headphone for $399.

You can buy these headphones for the best price here.

Under $300

Beyerdynamic Lagoon

In terms of transparency and detail, the Lagoon is hard to beat. It may not have the lushness or punch of the Sennheiser Momentum 3. But if you’re a critical listener or you value a naturally balanced sound signature, it doesn’t get more natural than these cans. If you’re looking for something super bassy, the Lagoon may not be the headphone for you. And I’ve tested more effective ANC technology at this price point. But for those who prioritize sound quality, the Lagoon is a perfect choice.

You can buy these headphones for the best price here.

Under $200

Audio-Technica M50XBT

The original, wired M50X is perhaps the most well known DJ and professional headphone on the market. Famous for it’s punchy bass and fun V-shaped sound signature, the M50X wins hands down when it comes to a good time. And the wireless, M50XBT shares that very same sound signature and build. And if you’re a fan of pop, electronica or even any genre involving acoustic instruments, these babies should make you a happy camper. No ANC on these cans. But the natural sound isolation is the most effective I’ve heard from a wireless headphone.

You can find these headphones for the best price here.

Under $100

Strauss & Wagner SW-ANCBT501

I think the balance and sound signature on this model is more enjoyable than any other ANC headphone I’ve tested at this price point. And to be honest, there are few ANC headphones available for under 100 bucks. The ANC may not be effective as a Bose. But I’ve never heard a noise-cancelling headphone that cuts out all outside sound, especially at this price point. And if all you’re looking to do is kill the hum of an airplane or air-conditioner, these headphones will do the trick. Anyway, my main priority is always good sound quality. And for the sound performance alone, I think that the SW-ANCBT501 is a solid deal. The whopping 40 hours of battery life is a plus too.

You can find these headphones for the best price here.

Sennheiser HD4.40BT

No frills here. No ANC either. Just solid design, versatile balance and the kind of sound quality you would expect from this famous German brand. Add to that Sennheiser’s 2 year international warranty, and these no nonsense cans will get the job done. The buttons controls are easy to navigate, and the call clarity is quite good as well. A reliable choice.

You can buy these headphones for the best price here.

MajorHifi may receive commission through retail offers.

The post Best Bluetooth Headphones of 2020 appeared first on Major HiFi.

Best Bluetooth Earbuds of 2020

Gabby Bloch — Fri, 22 May 2020 08:19:46 +0000

In these uncertain times…Well, that’s it, really. These are uncertain times. But here’s something for certain. The following list of earbuds are the best of 2020 in every price range. So, hold onto you your panties, which you have probably been wearing for a couple of days, and take a ride with me as we explore the Best Bluetooth Earbuds of 2020.

What Are the Best Wireless Earphones of 2020?

Under $300

Sennheiser Momentum True Wireless 2

Without question, the superstar of 2020 has to be the Momentum True Wireless 2. Sennheiser’s first true wireless model received mixed reviews because of its short battery life and various design flaws. It’s a shame, because they were the best sounding wireless earphones on the market. So, Sennheiser went back to the drawing board and extended battery life to an impressive 28 hours with 7 hours of playtime at a time. Time after time. They also improved the ergonomics of the shells and fixed all the glitches. And they’ve added active noise cancelling technology to boot. The result is a new and improved true wireless earphone with the same impressive sound. Rich bass, a lush midrange and transparent highs make these buds a satiating listen. You can also change the balance of the sound with the included equalizer via Sennheiser’s accompanying app. If you’re looking for the best true wireless model on the market, this is probably it.